Jonas Kaufmann: The Decca Recordings
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Label: Decca
Cat No: 4870033
Format: CD
Number of Discs: 15
Genre: Vocal/Choral
Release Date: 13th June 2025
Contents
Works
Fidelio, op.72Mefistofele
» Dai campi, dai prati (Act 1)
» Giunto sul passo estremo
Adriana Lecouvreur » L'anima ho stanca
» La dolcissima effigie
L'Arlesiana » E la solita storia 'Lamento di Federico'
Andrea Chenier » Come un bel di di maggio
» Un di all'azzuro spazio
» Vicino a te
Fedora » Amor ti vieta (Act 2)
Konigskinder (The King's Children)La Boheme
» Testa adorata
Pagliacci » Vesti la giubba (Act 1)
Cavalleria rusticana » Mamma, quel vino e generoso
» Viva il vino spumeggiante (Brindisi)
Iris » Apri la tua finestra (Act 1)
Die Zauberflote (The Magic Flute), K620 » Die Weisheitslehre... fuhrt mich der Ton zu ihr
» Dies Bildnis ist bezaubernd schon
I Lituani » Si, questa estrema grazia
La Gioconda » Cielo e mar! (Act 2)
La Rondine » Bevo al tuo fresco sorriso (Act 2)
Ombra di nubeAlfonso und Estrella, D732
» Schon, wenn es beginnt zu tagen, wird in mir die Sehnsucht wach
Der Jungling an der Quelle, D300Die schone Mullerin, D795
Fierrabras, D796
» Was qualst du mich, o Missgeschick! ... In tief bewegter Brust
Requiem (Messa da Requiem)Die Meistersinger von Nurnberg
» Am stillen Herd (Act 1)
Die Walkure » Ein Schwert verhiess mir der Vater
» Wintersturme wichen dem Wonnemond (Siegmund's Love-Song)
Lohengrin » In fernem Land
» Mein lieber Schwan
Parsifal » Amfortas! Die Wunde! (Act 2)
» Nur eine Waffe taugt (Act 3)
Rienzi » Allmacht'ger Vater, blick herab (Act 5)
Siegfried » Dass der mein Vater nicht ist
Tannhauser » Inbrunst im Herzen (Act 3)
Wesendonck-Lieder (5) (orch. Felix Mottl)Oberon, J306
Giulietta e Romeo
» Giulietta, son io
Artists
Jonas Kaufmann (tenor)Renee Fleming (soprano)
Katharine Fuge (soprano)
Rachel Harnisch (soprano)
Anja Harteros (soprano)
Hillevi Martinpelto (soprano)
Charlotte Mobbs (soprano)
Ofelia Sala (soprano)
Nina Stemme (soprano)
Eva-Maria Westbroek (soprano)
Frances Bourne (mezzo-soprano)
Marina Comparato (mezzo-soprano)
Elina Garanca (mezzo-soprano)
Nora Gubisch (mezzo-soprano)
Steve Davislim (tenor)
Christoph Strehl (tenor)
William Dazeley (baritone)
Peter Mattei (baritone)
Markus Bruck (bass-baritone)
Detlef Roth (bass-baritone)
Falk Struckmann (bass-baritone)
Christof Fischesser (bass)
Rene Pape (bass)
Roger Allam (narrator)
Helmut Deutsch (piano)
Arnold Schoenberg Chor
Choeur d’enfants Opera Junior
Chor der Deutschen Oper Berlin
Coro del Teatro alla Scala
Coro dell’Accademia Nazionale di Santa Cecilia, Roma
Coro di Milano Giuseppe Verdi
Latvian Radio Chorus
Monteverdi Choir
Lucerne Festival Orchestra
Mahler Chamber Orchestra
Orchester der Deutschen Oper Berlin
Orchestra del Teatro alla Scala
Orchestra dell’Accademia Nazionale di Santa Cecilia, Roma
Orchestra Sinfonica di Milano Giuseppe Verdi
Orchestre National de Montpellier Languedoc-Roussillon
Orchestre Revolutionnaire et Romantique
Conductors
Claudio AbbadoMarco Armiliato
Daniel Barenboim
John Eliot Gardiner
Armin Jordan
Antonio Pappano
Donald Runnicles
Works
Fidelio, op.72Mefistofele
» Dai campi, dai prati (Act 1)
» Giunto sul passo estremo
Adriana Lecouvreur » L'anima ho stanca
» La dolcissima effigie
L'Arlesiana » E la solita storia 'Lamento di Federico'
Andrea Chenier » Come un bel di di maggio
» Un di all'azzuro spazio
» Vicino a te
Fedora » Amor ti vieta (Act 2)
Konigskinder (The King's Children)La Boheme
» Testa adorata
Pagliacci » Vesti la giubba (Act 1)
Cavalleria rusticana » Mamma, quel vino e generoso
» Viva il vino spumeggiante (Brindisi)
Iris » Apri la tua finestra (Act 1)
Die Zauberflote (The Magic Flute), K620 » Die Weisheitslehre... fuhrt mich der Ton zu ihr
» Dies Bildnis ist bezaubernd schon
I Lituani » Si, questa estrema grazia
La Gioconda » Cielo e mar! (Act 2)
La Rondine » Bevo al tuo fresco sorriso (Act 2)
Ombra di nubeAlfonso und Estrella, D732
» Schon, wenn es beginnt zu tagen, wird in mir die Sehnsucht wach
Der Jungling an der Quelle, D300Die schone Mullerin, D795
Fierrabras, D796
» Was qualst du mich, o Missgeschick! ... In tief bewegter Brust
Requiem (Messa da Requiem)Die Meistersinger von Nurnberg
» Am stillen Herd (Act 1)
Die Walkure » Ein Schwert verhiess mir der Vater
» Wintersturme wichen dem Wonnemond (Siegmund's Love-Song)
Lohengrin » In fernem Land
» Mein lieber Schwan
Parsifal » Amfortas! Die Wunde! (Act 2)
» Nur eine Waffe taugt (Act 3)
Rienzi » Allmacht'ger Vater, blick herab (Act 5)
Siegfried » Dass der mein Vater nicht ist
Tannhauser » Inbrunst im Herzen (Act 3)
Wesendonck-Lieder (5) (orch. Felix Mottl)Oberon, J306
Giulietta e Romeo
» Giulietta, son io
Artists
Jonas Kaufmann (tenor)Renee Fleming (soprano)
Katharine Fuge (soprano)
Rachel Harnisch (soprano)
Anja Harteros (soprano)
Hillevi Martinpelto (soprano)
Charlotte Mobbs (soprano)
Ofelia Sala (soprano)
Nina Stemme (soprano)
Eva-Maria Westbroek (soprano)
Frances Bourne (mezzo-soprano)
Marina Comparato (mezzo-soprano)
Elina Garanca (mezzo-soprano)
Nora Gubisch (mezzo-soprano)
Steve Davislim (tenor)
Christoph Strehl (tenor)
William Dazeley (baritone)
Peter Mattei (baritone)
Markus Bruck (bass-baritone)
Detlef Roth (bass-baritone)
Falk Struckmann (bass-baritone)
Christof Fischesser (bass)
Rene Pape (bass)
Roger Allam (narrator)
Helmut Deutsch (piano)
Arnold Schoenberg Chor
Choeur d’enfants Opera Junior
Chor der Deutschen Oper Berlin
Coro del Teatro alla Scala
Coro dell’Accademia Nazionale di Santa Cecilia, Roma
Coro di Milano Giuseppe Verdi
Latvian Radio Chorus
Monteverdi Choir
Lucerne Festival Orchestra
Mahler Chamber Orchestra
Orchester der Deutschen Oper Berlin
Orchestra del Teatro alla Scala
Orchestra dell’Accademia Nazionale di Santa Cecilia, Roma
Orchestra Sinfonica di Milano Giuseppe Verdi
Orchestre National de Montpellier Languedoc-Roussillon
Orchestre Revolutionnaire et Romantique
Conductors
Claudio AbbadoMarco Armiliato
Daniel Barenboim
John Eliot Gardiner
Armin Jordan
Antonio Pappano
Donald Runnicles
About
The recordings on this new 15-CD edition “Jonas Kaufmann - The Decca Recordings” are a sonic chronicle of his “Decca years”, although the earliest of the recordings was made for Philips. They span ten years, from 2002 to 2012, and show the celebrated tenor at the height of his art.
This period reveals the wide range of Jonas Kaufmann's artistic output and his incomparable timbre. The set contains three complete opera recordings, all of which in some way anticipate his Wagnerian future: a Weber Oberon, the role of the King's son in Humperdinck's Königskinder and Florestan in Beethoven's Fidelio.
The various recitals of operatic arias include 18th- and 19th-century German repertoire, the electrifying thrill of verismo, “Romantic Arias” and the seminal Wagner recital. Additional “bonus” material recorded at the time of the original recordings, including an aria from Mascagni's Iris and an ensemble from Puccini's La rondine.
A great song cycle (Schubert's Die schöne Müllerin) and a breathtaking choral work (Verdi's Messa da Requiem) round off the edition and show Jonas Kaufmann at his best. These award-winning and critically acclaimed recordings perhaps represent Kaufmann's most important period of his career: youthful, stirring, moving and in full possession of all his vocal possibilities.
A must for lovers of beautiful voices.
This period reveals the wide range of Jonas Kaufmann's artistic output and his incomparable timbre. The set contains three complete opera recordings, all of which in some way anticipate his Wagnerian future: a Weber Oberon, the role of the King's son in Humperdinck's Königskinder and Florestan in Beethoven's Fidelio.
The various recitals of operatic arias include 18th- and 19th-century German repertoire, the electrifying thrill of verismo, “Romantic Arias” and the seminal Wagner recital. Additional “bonus” material recorded at the time of the original recordings, including an aria from Mascagni's Iris and an ensemble from Puccini's La rondine.
A great song cycle (Schubert's Die schöne Müllerin) and a breathtaking choral work (Verdi's Messa da Requiem) round off the edition and show Jonas Kaufmann at his best. These award-winning and critically acclaimed recordings perhaps represent Kaufmann's most important period of his career: youthful, stirring, moving and in full possession of all his vocal possibilities.
A must for lovers of beautiful voices.
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